Happy New Year From Penny Adie

Happy New Year to all readers of this blog and let’s hope more and more of you will be tempted to read them as the year goes on.

It seems a very long time has passed since my last feature and much has happened, not least Christmas. Mind you, that was a lot of fun with many carols sung, mince pies consumed and with our kitchen filled with two very little people bringing bibs and bottles with them, not to say the odd accompanying adult who had napkins, nibbles and vast quantities of plonk instead.

As far as the festival is concerned, life went on – to a certain extent – with the concerts in Tiverton Parkway’s Ticket Office giving rise to a spring in the step of travellers passing by. For those who don’t know, these events take place at one of First Great Western’s smartest stations and very popular they are too! The last event to take place was given by a brilliant pair of young flautists, Emma Halnan and Katy Ovens, whose splendid mix of ‘O come all ye faithfuls’ with Mozart and Bach was beautifully played with flair and polish.

Writing Christmas cards takes forever longer these days with many festival supporters to include. Some people would criticise us for continuing to send real cards in the post but we would rather do so because money goes to charity and perhaps more importantly in our case, every stamp we purchase helps to keep our local post office in business. Woe betide the day if it were to close, since the nearest GPO would then be nine miles away!

So what will the new year bring, I wonder? The first thing to remember is to change the date on everything to 2015. I still find 2014 creeps into some written text which is rather a bore. For my husband (who does all the fundraising for the festival), life doesn’t alter since he was, is and will be making applications to trusts for the rest of time. He has become very good at it and has certainly won a medal for his expertise on VAT. My first action however, is to draft the text for the Newsletter that goes out to the Friends of the Festival in a month’s time. I hope I haven’t made it too long.

From then on, it’s sorting out the programme content for October. This, for me, is an exciting thing to do as not only does it mean I can be as creative as the budget will allow but also it’s so unpredictable that whatever ideas I have at the outset, usually end up by being completely different. By the time I have accepted change of dates for some artists, or forgotten that the piano won’t get into a church venue or having to say no to a potentially super recital because the fee structure doesn’t work out or because the repertoire doesn’t fit the bill, I could give up but something seems to keep me hard at it – maybe a strong G&T helps.

So that’s where we stand at the moment. Will it become more exciting? Yes, probably…

 

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