Category Archives: Music

In conversation with…

To get to know some of our wonderful artists a little better ahead of this year’s Two Moors Festival, we have invited some of them to share the answers to a few short questions so we can learn
more!

Now up we have Julian Perkins from Sounds Baroque….

 

 

 

Have you ever visited the Two Moors area before? 
Yes. I’ve been lucky enough to perform for two previous festivals in a number of enchanting churches, and I fondly recall attending ritualistic May Day celebrations on Dartmoor when visiting my aunt and uncle near Tavistock.

What did you want to be when growing up?
I liked the idea of being an architect as it is one of the few disciplines that combines science and art, and I also flirted with the notion of being a carpenter as I enjoy creating things and adore the smell of freshly-sawn wood. In reality, though, music has always been my burning passion.

Who’s your inspiration?
I am blessed in having a wonderful array of friends and colleagues who continue to stimulate – and provoke – me. There is, however, one stand-out experience that continues to inspire me: singing as a treble in Mahler’s ‘Symphony of a Thousand’ under Klaus Tennstedt.
Although I was a dreamy child, Tennstedt captivated me for reasons I have never fully understood. He was a grumpy old man, riddled with cancer, who was flailing about in a seemingly haphazard manner on the podium. But I have never, ever heard an orchestra or
choir sound like they did with him – and this has nothing to do with his relative fame. I can only put it down to his complete identification with the music and his utter determination to transmit it to his fellow musicians. Humbling.

Ambition or talent: which matters more to success for you?
Ambition. Talent is useless if you are lazy – and I never believe those irritating people who perform brilliantly yet claim that they never practise.

What is the greatest achievement of your life so far?
On a personal level, it is becoming a father to our two indefatigable twins, Oscar and Freddie. On a musical level, setting up Cambridge Handel Opera is proving to be quite a feat.

Bonus: What advice would you give to young musicians?
Always start the day with a good breakfast.

What are you looking forward to most when performing at this year’s festival?
Bringing the irrepressible Giacomo Casanova to life with a wonderful team of performers…..and a hearty pub meal!

 

Catch Julian and Sounds Baroque on the first day of the festival this year:

Sounds Baroque – ‘Casanova’s Conquest’

Performance: Fri, 13 Oct 2017, 7:30 pm – 9:30 pm

 

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In conversation with…

To get to know some of our wonderful artists a little better ahead of this year’s Two Moors Festival, we have invited some of them to share the answers to a few short questions so we can learn
more!

First up we have Oliver and Owen from O Duo Percussion….

Have you ever visited the Two Moors area before?

Oliver: Yes, to play for the festival (twice)
Owen: Yes! We’ve played at the festival on a few occasions now…..I’ve also been on the edge of Exmoor to an excellent pub for recreational purposes! 

What did you want to be when growing up? 

Oliver:  When I was quite young, a doctor! Then later, a musician….
Owen: From the age of 14, a percussionist! I didn’t really think about it before then or at least I can’t remember!

Who’s your inspiration?  

Oliver:  Probably my Grandad, who came from a really poor, working-class family in Dundee and became Principal Cellist of the LPO!
Owen: In music, no-one really…. But I try and put into perspective being a musician, by thinking of those of have trickier/life threatening jobs, like my brother in the army.
 

Ambition or talent: which matters more to success for you? 

Oliver: Both
Owen: Has to be both! Whilst I’m a believer in anyone can do it, I think you need that something extra to go up a level, that doesn’t mean to make a career. But, I think the best musicians have both

What is the greatest achievement of your life so far? 

Oliver: Musically, I guess playing most of the UK’s biggest concert halls with O Duo, after forming the duo at College.
Owen: Deep! Making a career (ie. Paying the mortgage, buying a house, and being able to pay for the family to live!) out of being a musician.
 

What are you looking forward to most when performing at this year’s Two Moors Festival?

Oliver: Being in a beautiful part of the country….
Owen: Being in one of the finest parts of the country, with great audiences.

O Duo Percussion
Owen Gunnell marimba
Oliver Cox marimba
Performance: 11:00 am Tue, 17 Oct 2017
Venue: St Pancras Church, Widecombe-in-the-Moor, TQ13 7TA

Programme Announcement – 2017 Festival

The time has arrived to announce our 2017 festival programme – and we are so excited about it! With a total of 28 outstanding concerts for everyone to enjoy, this year’s festival takes place from Friday 13th October to Sunday 21st October 2017 across a total of 13 beautiful venues in Dartmoor and Exmoor.

The festival grows in calibre every year and now truly ranks in the top class of classical music events in the UK. And this year is no exception! Have a read here of some of the highlights of 2017:

  • The City of Birmingham Symphony Orchestra makes its first appearance in the South West at The Two Moors Festival performing alongside gifted pianist, Pavel Kalesnikov, to play Grieg’s much loved piano concerto
  • One of the most exciting British chamber ensembles, the Heath Quartet, will be performing Haydn, Tippett and Mendelssohn
  • Acclaimed pianist Barry Douglas will be performing twice, once with the Endellion Quartet which will be broadcast live in concert on BBC Radio 3
  • Schubert’s three famous song cycles are to be performed in one day with pianist, Jâms Coleman(tackling no less than 58 songs in the process!)
  • Esteemed international violinist Tasmin Little will travel to All Saint’s Church, Okehampton to for a recital to include Prokofiev’s D Major Sonata and Brahms Sonatensatz in C minor. Accompanied by Australian Pianist Andrey Gugnin
  • This year the festival also branches into Jazz with Alec Dankworth’s eclectic Spanish programme oozing flamenco rhythms and traditional Spanish and Cuban folksongs
  • Final concert brings the North Devon Sinfonia, winners of BBC Four’s ‘All Together Now – The Great Orchestra Challenge’, who will be performing Haydn’s Creation. The singers for the Festival chorus are local choral singers, largely made up of members of 2MF and the Devon Wildlife Trust,  our community partner for this event.

Ticket release dates are as follows:
Benefactors from 3 July 2017
Associates from 10 July 2017
Friends from 17 July 2017
General Booking opens 26 July 2017

All information for the 2017 festival can be found on our website: http://tickets.thetwomoorsfestival.co.uk/sales/2017festival/2017-concerts-and-talks

We can’t wait to see you again for another wonderful festival!

Winner Of Our Tarka The Otter Opera Ticket Competition Revealed

As you’re all no doubt already aware, our series of classical music concerts is creeping up on us – not long to go now until October 15th! We hope you’re all as excited as we are about the two-week event. It’s our 15th anniversary so there are some extra-special performances going on by way of celebrations.

And one of those is two performances of our acclaimed opera Tarka the Otter, based on the book by Henry Williamson. It was greatly received by all (and succeeded in scoring itself a 4* review in the Times) so if you have bought tickets for this year’s event then you know you’re in for something really rather special.

If you’re an avid reader of the Two Moors Festival blog then you’ll know that we recently ran a competition offering two tickets to Tarka the Otter worth £28 each on October 20th at 19:30 at Exeter Cathedral down here in Devon.

The competition has now closed and we’re delighted to announce that the winner, picked at random, is Patrick Robinson. Patrick, if you’re reading this please do drop us a line via the Box Office on (01643) 831 006. Alternatively, get in touch via Facebook and send us a message.

We hope you enjoy the performance. We’d love to hear what you think of it. See you there!

Top 10 Classical Music Blogs!

As a UK classical music festival, we here at the Two Moors Festival are always following and reading other organisations’ and bloggers’ websites. There are some really brilliant classical music blogs out there so it’s amazing for us to announce that we’ve been featured in the top ten list of all classical music blogs in the UK.

Compiled by Cision (now Vuelio), the rundown includes Jessica Duchen’s Classical Music Blog, Planet Hugill, The Cross-Eyed Pianist, Boulezian, British Classical Music: The Land of Lost Content, Where’s Runnicles?, Richard Bratby, new:dots, Classical Iconoclast and us, the Two Moors Festival.

We’re so honoured to be given a mention and in such seriously good company, so thank you very much Cision/Vuelio for valuing our blog and giving us a mention for the work we do in the classical music sphere.

We urge you to go and have a look at the other blogs in the top ten – there’s some amazingly interesting stuff being written about and if you’re interested in this genre of music, then your reading list should certainly include all of these blogs.

Have you already come across any of these blogs before? Which of them are your favourites and why? We’d love to hear what you find so inspiring about each of them so come along and drop us a line in the comments below.

State of play in the Festival’s run-up

67 days to go until UK classical music festival The Two Moors Festival begins…

When I think of how much there is to do in only 67 days, it is positively daunting. It’s better not to dwell and just get on with it.

Business is brisk in the Box Office – a relief as it would be seriously worrying were it not so. Friends’ bookings are healthy and the number of new Friends is up on last year. This is positive in itself and a good boost to morale. It also gives our wonderful person running the Office plenty to do. We are so lucky this year in having Oxford music undergraduate, Rebecca McNaught to help. Not only is she a super person, but is brilliant at the job and great on the phone giving would-be ticket purchasers all the information they need before they make up their minds to buy tickets.

Talking of the Box Office, we must be one of the few festivals to have a real person at the end of the phone. We guarantee that whoever speaks has specialist knowledge and who knows how to pronounce indecipherable names such as Ibragimova and Shostakovich. It is amazing how much difference this makes to ticket sales!

Tackling PR is vital at this time of year. The trouble is where to start as there are so many avenues of possibility. The other problem is how to cover 1,200 square miles of festival patch. We are fortunate in that the local press and regional magazines such as Devon Life are keen to include features. Local radio also sparks as does BBC TV’s ‘Spotlight’ providing there is something to film – concerts by and large do not make good television! The national media is becoming more supportive than ever and as I type, there has been a splendid article in Classical Music Magazine as well as promises from the press and various Listings.

Classic FM has done us proud over the years and we’re crossing fingers that they might be able to give us air-time as they have in previous years. There is also BBC Radio 3’s ‘In Tune’ which we try to interest – successfully a number of times.

There is the series of run-up concerts in the Ticket Office at Tiverton Parkway’s Ticket Office. These may sound totally off the wall. Well, they are! The concerts do not disrupt the everyday working of the station; people come and go and it’s quite often that someone might be asking whether they might need to change at Birmingham New Street while Bach is providing the background music. We never stop the ongoing business of raising funds to cover costs. How tedious this is for my husband, John. We wouldn’t survive without his Trojan efforts.

One of the main jobs to do in August is assembling the programme. It’s true to say that this is a nightmare. Inserting notes and biographies are the easy bits. The hardest part lies in achieving consistency in the way a work is written. Does one write Sonata in E major Op. 14 No.1 or Sonata Op. 14 No.1 in E – the options are endless!

On which note, I will end and give readers the next instalment in a few days’ time.

The Opera Of Tarka The Otter At The Two Moors Festival 2015

Back in 2004, we here at the Two Moors Festival decided it would be a good idea to commission an opera based on Henry Williamson’s much-loved novel Tarka the Otter – a great addition to the listings of Devon music festivals, we thought.

For those who haven’t read it, the book has great ties to this part of the world, set as it is in the very heart of Exmoor. Williamson wrote it after returning to Devon following WWI and his experiences at that time can be seen creeping into the work itself.

In 2006, our opera premiered at RHS Rosemoor and was so successful that Times critic Richard Morrison gave it a 4* review.

As part of our celebrations of the Two Moors Festival’s 15th anniversary, we’re proud to bring Tarka the opera back once more and hope that if you didn’t manage to see it last time, you are able to get tickets this year.

Composed by Stephen McNeff and directed by Thomas Guthrie, part of the original idea of putting on such an opera was – much like Noye’s Fludde – to involve the local communities as much as possible. Consequently, many children from local schools take to the stage as ducks and eels – and it’s certainly a sight to behold.

This year, the production will take place at Exeter Cathedral on October 21st – which audiences that saw it last time will no doubt appreciate, since the opera’s debut took place in a marquee!

Tickets cost between £10 and £35, and can be purchased via the Two Moors Festival box office. Make sure you book early as this is sure to be a sell-out show.

See what else is on at this year’s two-week event in October on our website.